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home·artworks·Louis XV in Armour
Louis XV in Armour by Charles-Andre van Loo (Carle van Loo)

plate no. 4782

Louis XV in Armour

Charles-Andre van Loo (Carle van Loo), 1751

oil, canvasRococoportraitfigurearmorhelmetdraperyportraitroyal
experienced study

Recreating this painting will help students develop skills in portraiture, rendering metallic surfaces, and capturing the textures of fabrics and drapery. It also provides practice in creating a complex composition with multiple elements.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and proportions of the figure and objects.

  2. step 02

    Block in the main areas of color, focusing on the large shapes of the background, drapery, and figure.

  3. step 03

    Start refining the details of the face, paying close attention to the light and shadow to create form.

  4. step 04

    Work on the armor, using layers of paint to build up the metallic sheen and intricate details.

  5. step 05

    Add the details of the drapery, including the folds, highlights, and shadows.

  6. step 06

    Paint the helmet and other accessories, focusing on their textures and details.

  7. step 07

    Refine the background and add any final details to complete the painting.

  8. step 08

    Glaze with thin layers to unify the colors and add depth.

color palette

primary · ivory black · titanium white · yellow ochre · ultramarine blue

secondary · burnt umber · cadmium yellow · alizarin crimson · raw sienna

Achieve the metallic sheen by mixing grays with touches of yellow ochre and white. Create the fabric colors by mixing the primary colors with white and umber for muted tones.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·rendering metal
  • ·drapery folds

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Failing to capture the metallic sheen of the armor.
  • →Making the drapery look flat and lifeless.
  • →Overworking the details and losing the overall harmony of the painting.

materials

surface · stretched canvas

required

  • ·stretched canvas 24x30
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)

optional

  • ·palette knife
  • ·linseed oil
  • ·damar varnish
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a pre-primed canvas to save time.

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oil painting for beginners →how to learn by studying the masters →
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