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home·artworks·Louis XV (1710-1774) Stag Hunting in the Forest at Saint-Germain
Louis XV (1710-1774) Stag Hunting in the Forest at Saint-Germain by Jean-Baptiste Oudry

plate no. 6843

Louis XV (1710-1774) Stag Hunting in the Forest at Saint-Germain

Jean-Baptiste Oudry, 1730

oil, canvasRococogenre paintingfigureshorsesdogsforestwaterlandscape
experienced study

Recreating this painting will help students develop skills in depicting complex scenes with many figures and animals, as well as understanding atmospheric perspective and color mixing for realistic landscapes. It also provides practice in rendering details in clothing and animal anatomy.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the main groups (figures, horses, dogs, trees).

  2. step 02

    Establish the background landscape with broad washes of color, paying attention to atmospheric perspective (lighter and cooler colors in the distance).

  3. step 03

    Block in the main shapes of the figures and horses, focusing on accurate proportions and poses.

  4. step 04

    Begin adding details to the figures' clothing and faces, using smaller brushes and more precise strokes.

  5. step 05

    Paint the dogs, capturing their movement and individual markings.

  6. step 06

    Refine the details of the trees and foliage, using a variety of brushstrokes to create texture.

  7. step 07

    Add reflections in the water, paying attention to the distortion and color variations.

  8. step 08

    Make final adjustments to the values and colors to create a sense of depth and realism.

color palette

primary · ultramarine blue · burnt umber · yellow ochre · titanium white

secondary · cadmium red · ivory black · sap green

Use ultramarine blue and burnt umber to create a range of greens for the foliage. Mix titanium white with small amounts of other colors to create subtle highlights and atmospheric effects.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective
  • ·figure drawing

common pitfalls

  • →Getting bogged down in details too early.
  • →Failing to establish a strong sense of depth.
  • →Using colors that are too saturated or unrealistic.
  • →Ignoring the importance of accurate proportions and anatomy.

materials

surface · stretched canvas

required

  • ·stretched canvas 24x36
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 8, 10)
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·dammar varnish

Use high-quality oil paints for best results. A medium-grain canvas will provide a good surface for this level of detail.

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