apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Louis Philippe D'Orléans
Louis Philippe D'Orléans by Charles-Philippe Lariviere

plate no. 5283

Louis Philippe D'Orléans

Charles-Philippe Lariviere, 1840

oilAcademicismportraitportraitfigureclothingskybalconyhistorical
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions and capturing likeness, as well as rendering realistic fabrics and textures. Students will also learn about color mixing to achieve subtle skin tones and the complexities of light and shadow.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the figure's pose and proportions on the canvas.

  2. step 02

    Block in the main areas of color: the background sky, the figure's clothing, and the table.

  3. step 03

    Focus on the face, establishing the basic shapes and values of the features.

  4. step 04

    Begin layering colors to build up the skin tones, paying attention to subtle variations in light and shadow.

  5. step 05

    Work on the clothing, carefully rendering the folds and textures of the fabrics.

  6. step 06

    Add details to the background, including the balcony and the distant sky.

  7. step 07

    Refine the details of the face and clothing, adding highlights and shadows to create depth and dimension.

  8. step 08

    Make final adjustments to the overall composition, ensuring that all elements are in harmony.

color palette

primary · ultramarine blue · cadmium orange · ivory black · titanium white

secondary · yellow ochre · burnt umber · alizarin crimson

Skin tones are achieved through careful mixing of white, orange, crimson, and a touch of umber. The blue of the coat is a mix of ultramarine and black, lightened with white. The gold trim requires careful layering of yellow ochre, orange, and brown.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·blending
  • ·fabric rendering

common pitfalls

  • →Incorrect proportions in the initial sketch can lead to an inaccurate likeness.
  • →Overworking the skin tones can result in a muddy or unnatural appearance.
  • →Neglecting the subtle variations in color and value can flatten the image.
  • →Failing to capture the texture of the fabrics can make the clothing look unrealistic.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·cadmium orange oil paint
  • ·ivory black oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Consider using a medium to thin the paints and improve blending.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of a Young Woman

Portrait of a Young Woman

George Demetrescu Mirea

My daughters, Eva and Jeanne

My daughters, Eva and Jeanne

Diogène Maillart

The Reluctant Bride

The Reluctant Bride

Auguste Toulmouche

The Proposal

The Proposal

Wladyslaw Czachorski

The Dressing Room

The Dressing Room

Henri-Pierre Picou

Girl with pinks

Girl with pinks

Wladyslaw Czachorski

Self-Portrait

Self-Portrait

George Demetrescu Mirea

The age

The age

Ludwig Knaus