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home·artworks·Loss of Innocence
Loss of Innocence by Henri-Pierre Picou

plate no. 1015

Loss of Innocence

Henri-Pierre Picou, 1885

oilAcademicismnude painting (nu)figureangelstatuegardenflowerstrees
experienced study

Recreating this painting will help students develop skills in figure painting, particularly rendering skin tones and drapery, as well as creating atmospheric perspective in a landscape setting. It also provides practice in depicting classical themes and allegorical subjects.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures and statue.

  2. step 02

    Establish the background with broad washes of color, creating a sense of depth and atmosphere.

  3. step 03

    Block in the main areas of color for the figures, statue, and drapery.

  4. step 04

    Begin to refine the forms of the figures, paying close attention to anatomy and light/shadow.

  5. step 05

    Develop the details of the drapery, creating folds and textures with careful brushwork.

  6. step 06

    Add details to the statue, including the facial features and the texture of the stone.

  7. step 07

    Paint the flowers, using small brushstrokes to capture their delicate forms and colors.

  8. step 08

    Add final highlights and shadows to create a sense of realism and depth.

color palette

primary · titanium white · yellow ochre · ultramarine blue · alizarin crimson

secondary · burnt umber · sap green · cadmium yellow light

Achieve skin tones by mixing titanium white, yellow ochre, and a touch of alizarin crimson. Create the blue drapery by mixing ultramarine blue with titanium white and a touch of alizarin crimson. Use burnt umber and sap green to create the various greens in the background.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth and atmosphere.
  • →Inaccurate proportions of the figures.
  • →Muddying the colors by overmixing.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·alizarin crimson oil paint
  • ·burnt umber oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium (e.g., Liquin)
  • ·varnish

Use high-quality oil paints for best results. Consider using a medium to improve the flow and drying time of the paints.

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