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home·artworks·Los Tezcaltipocas
Los Tezcaltipocas by Jorge González Camarena

plate no. 7005

Los Tezcaltipocas

Jorge González Camarena, 1969

oilMuralismsymbolic paintingfiguresskeletonanimalsymbolismabstractviolence
experienced study

Recreating this painting will help students develop skills in anatomical abstraction, color harmony with a limited palette, and creating dynamic compositions with multiple figures. It also provides practice in rendering textures and suggesting depth through subtle value changes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a rough sketch to establish the overall composition and placement of the figures.

  2. step 02

    Refine the sketch, paying attention to the anatomical structure and proportions of the figures.

  3. step 03

    Block in the main color areas using thinned paint, focusing on the overall value structure.

  4. step 04

    Begin layering colors to build up depth and create subtle variations in tone.

  5. step 05

    Add details to the figures, such as the skeletal structure and facial features.

  6. step 06

    Refine the background elements, ensuring they complement the figures and enhance the overall composition.

  7. step 07

    Add final highlights and shadows to create a sense of depth and dimension.

  8. step 08

    Review the painting and make any necessary adjustments to ensure a cohesive and impactful final result.

color palette

primary · burnt sienna · raw umber · titanium white

secondary · payne's gray · yellow ochre

Achieve the skin tones by mixing burnt sienna, raw umber, and titanium white. Use Payne's gray to create shadows and add depth. Yellow ochre can be used to warm up the skin tones or create highlights.

techniques

  • ·layering
  • ·glazing
  • ·dry brushing
  • ·scumbling
  • ·anatomical abstraction

common pitfalls

  • →Overcomplicating the color palette.
  • →Losing the overall value structure.
  • →Neglecting the anatomical accuracy of the figures.
  • →Creating a static or unbalanced composition.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt sienna oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·payne's gray oil paint
  • ·yellow ochre oil paint
  • ·#4 round brush
  • ·#8 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a medium to thin the paint and improve its flow.

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