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home·artworks·Looking feminine - The appearance of a ‘castle-toppler’ of the Tempo era
Looking feminine - The appearance of a ‘castle-toppler’ of the Tempo era by Tsukioka Yoshitoshi

plate no. 1159

Looking feminine - The appearance of a ‘castle-toppler’ of the Tempo era

Tsukioka Yoshitoshi, 1888

oilUkiyo-eportraitportraitfiguregeishaornamentskimonofloral patterns
some experience helpful

Recreating this painting will help students develop skills in precise line work, color blocking, and replicating intricate patterns. It also provides practice in portraiture and understanding traditional Japanese art styles.

technical profile

palette complexity
3
brushwork visibility
1
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the main shapes: the figure, kimono, and head ornaments.

  2. step 02

    Refine the sketch, adding details like facial features, hair strands, and the patterns on the kimono.

  3. step 03

    Begin blocking in the large areas of color, starting with the skin tone and background.

  4. step 04

    Carefully paint the kimono, paying attention to the geometric and floral patterns.

  5. step 05

    Add the details of the hair and head ornaments, using precise lines and contrasting colors.

  6. step 06

    Refine the facial features, adding subtle shading to create depth.

  7. step 07

    Add the text elements and seals, paying attention to their placement and color.

  8. step 08

    Make final adjustments to the colors and lines to match the original painting.

color palette

primary · red · blue · yellow · black

secondary · green · gold · skin tone

Achieve the skin tone by mixing white, yellow, and a touch of red. Create the various shades of blue and red by adding black or white to the primary colors.

techniques

  • ·color blocking
  • ·line art
  • ·pattern replication
  • ·portraiture
  • ·flat wash

common pitfalls

  • →Inaccurate proportions in the initial sketch.
  • →Difficulty replicating the intricate patterns on the kimono.
  • →Uneven color application.
  • →Overworking the details, resulting in a cluttered appearance.

materials

surface · watercolor paper or stretched canvas

required

  • ·watercolor paper or canvas
  • ·watercolor paints or acrylic paints
  • ·fine liner brushes
  • ·medium sized flat brush
  • ·pencil
  • ·eraser
  • ·palette
  • ·water container

optional

  • ·ruler
  • ·compass
  • ·masking tape

Using high-quality paints and brushes will help achieve a smoother and more professional finish. Consider using a light box to transfer the initial sketch onto the painting surface.

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