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home·artworks·Looking Disagreeable - The Appearance of a Young Lady from Nagoya During the Ansei era
Looking Disagreeable - The Appearance of a Young Lady from Nagoya During the Ansei era by Tsukioka Yoshitoshi

plate no. 1653

Looking Disagreeable - The Appearance of a Young Lady from Nagoya During the Ansei era

Tsukioka Yoshitoshi

oilUkiyo-eportraitfigureportraitkimonohair ornamentsflowerstext
some experience helpful

Recreating this painting will help students develop skills in layering colors, rendering fabric patterns, and capturing subtle facial expressions. Students will also learn to simplify complex shapes and patterns.

technical profile

palette complexity
4
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main figure and compositional elements, paying attention to proportions.

  2. step 02

    Block in the background with a thin, even wash of light gray.

  3. step 03

    Establish the base colors for the skin, hair, and kimono, focusing on accurate color matching.

  4. step 04

    Begin layering the kimono patterns, starting with the larger shapes and gradually adding details.

  5. step 05

    Refine the facial features, paying close attention to the eyes, nose, and mouth.

  6. step 06

    Add the hair ornaments and other accessories, ensuring accurate placement and color.

  7. step 07

    Add the text elements and other small details.

  8. step 08

    Apply final highlights and shadows to enhance the depth and dimension of the painting.

color palette

primary · gray · red · black · white

secondary · green · purple · yellow · blue

Achieve the various grays by mixing black and white with small amounts of other colors. The skin tones are achieved by mixing white, red, and a touch of yellow.

techniques

  • ·flat washes
  • ·layering
  • ·pattern rendering
  • ·color mixing
  • ·fine detail work

common pitfalls

  • →Overworking the details and losing the overall harmony of the painting.
  • →Inaccurate color matching, resulting in a flat or unnatural appearance.
  • →Failing to simplify the complex patterns and shapes.
  • →Ignoring the subtle variations in value and color.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brush (size 8)
  • ·palette
  • ·water container
  • ·paper towels
  • ·pencil

optional

  • ·palette knife
  • ·ruler
  • ·tracing paper

Use high-quality acrylic paints for best results. A smooth canvas surface will make it easier to render the fine details.

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