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home·artworks·Looking as if she is waking up - The appearance of a maiden of the Koka era
Looking as if she is waking up - The appearance of a maiden of the Koka era by Tsukioka Yoshitoshi

plate no. 8851

Looking as if she is waking up - The appearance of a maiden of the Koka era

Tsukioka Yoshitoshi, 1888

oilUkiyo-eportraitfigureportraitflowershairrobeplant
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing subtle facial expressions and rendering intricate patterns. It also provides practice in color mixing to achieve muted and harmonious tones.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the figure's pose and the main elements of the composition.

  2. step 02

    Block in the background with a diluted wash of light grey.

  3. step 03

    Establish the basic skin tones, paying attention to the subtle variations in shade.

  4. step 04

    Paint the robe with the base color, then add the intricate pattern using a fine brush.

  5. step 05

    Render the hair, focusing on the highlights and shadows to create volume.

  6. step 06

    Add the details of the face, including the eyes, nose, and mouth, using delicate brushstrokes.

  7. step 07

    Paint the flowers and leaves, capturing their shapes and colors accurately.

  8. step 08

    Refine the details and add any final touches to complete the painting.

color palette

primary · ultramarine blue · ivory black · red · cream

secondary · green · pink · grey

Mix ultramarine blue and ivory black for the robe's base color. Use white to lighten the skin tones and create highlights. Mix red and white for the pink flowers.

techniques

  • ·flat wash
  • ·dry brushing
  • ·fine line detail
  • ·color layering
  • ·glazing

common pitfalls

  • →Overworking the details, which can make the painting look stiff.
  • →Using colors that are too bright or saturated, which can clash with the overall muted palette.
  • →Failing to capture the subtle nuances of the facial expression.
  • →Inaccurately rendering the intricate patterns on the robe.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic paints
  • ·round brushes (sizes 0, 2, 4)
  • ·flat brush (size 6)
  • ·palette
  • ·water container
  • ·paper towels

optional

  • ·palette knife
  • ·retarder medium
  • ·varnish

Use high-quality acrylic paints for best results. A smooth canvas surface will make it easier to render the fine details.

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