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home·artworks·Little Japanese Girl
Little Japanese Girl by George Demetrescu Mirea

plate no. 9628

Little Japanese Girl

George Demetrescu Mirea

oilAcademicismportraitportraitfiguregirlkimonohair ornamentclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and subtle skin tones. It also provides practice in rendering fabric and understanding light and shadow on a human form.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the figure, focusing on proportions and placement.

  2. step 02

    Block in the main shapes and colors of the background, skin, kimono, and obi.

  3. step 03

    Begin layering the skin tones, paying attention to subtle shifts in value and hue.

  4. step 04

    Refine the features of the face, focusing on accurate placement and expression.

  5. step 05

    Develop the folds and details of the kimono and obi, using light and shadow to create form.

  6. step 06

    Add details such as the hair ornaments and any other accessories.

  7. step 07

    Adjust the overall values and colors to create a harmonious and balanced composition.

  8. step 08

    Add final highlights and details.

color palette

primary · raw umber · titanium white · yellow ochre · cadmium red

secondary · ivory black · sap green

Skin tones are achieved through subtle mixes of white, yellow ochre, cadmium red, and raw umber. The background is primarily raw umber lightened with white. The kimono colors are muted with umber.

techniques

  • ·portraiture
  • ·blending
  • ·layering
  • ·scumbling
  • ·glazing

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the skin tones and losing the subtle variations.
  • →Making the colors too saturated.
  • →Ignoring the importance of light and shadow in creating form.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·cadmium red oil paint
  • ·ivory black oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

A smooth canvas is recommended for easier blending. Use a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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