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home·artworks·Lion afternoon
Lion afternoon by Jacek Yerka

plate no. 3674

Lion afternoon

Jacek Yerka

oilSurrealismlandscapeliontabletreeslandscapeflowerssky
experienced study

Recreating this painting will help students develop skills in detailed rendering, color mixing for realistic textures, and creating depth through atmospheric perspective. It also provides practice in depicting complex forms like foliage and animal fur.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the basic composition and perspective.

  2. step 02

    Block in the main areas of color: sky, field, foliage, and the table setting.

  3. step 03

    Develop the sky with subtle gradations of blue and gray to create depth.

  4. step 04

    Add details to the field, using varying shades of yellow and brown to simulate texture.

  5. step 05

    Work on the foliage, paying attention to the variations in green and the play of light and shadow.

  6. step 06

    Render the table setting and the lion, focusing on accurate proportions and realistic textures.

  7. step 07

    Add the small details like the fruit on the trees, the clock, and the fountain.

  8. step 08

    Refine the overall painting, adjusting colors and values as needed to create a cohesive and visually appealing image.

color palette

primary · yellow ochre · ultramarine blue · burnt umber · titanium white

secondary · cadmium red · sap green · raw sienna

Achieve the wheat field color by mixing yellow ochre, burnt umber, and a touch of white. The lion's fur is a blend of burnt umber, raw sienna, and white, with subtle variations for highlights and shadows.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·color blending
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early
  • →Inaccurate proportions of the lion
  • →Lack of depth in the field
  • →Muddy colors due to overmixing
  • →Ignoring the light source

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·linseed oil (if using oil paints)
  • ·palette knife

optional

  • ·medium gloss
  • ·retarder medium
  • ·easel
  • ·photo reference of lions

Use high-quality paints for best results. Consider using a medium to slow down the drying time of the paints, especially if working with acrylics.

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oil painting for beginners →how to learn by studying the masters →
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