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home·artworks·Light of the Harem
Light of the Harem by Frederic Leighton

plate no. 1635

Light of the Harem

Frederic Leighton, 1880

oilAcademicismgenre paintingfiguresinteriorcolumnsdraperyornamentsrobes
experienced study

Recreating this painting will help students develop skills in rendering realistic skin tones, drapery, and complex patterns, as well as understanding light and shadow to create depth and form.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the composition and proportions of the figures and architectural elements.

  2. step 02

    Block in the main areas of color, focusing on the overall values and temperature.

  3. step 03

    Develop the skin tones using layers of thin glazes, paying attention to subtle shifts in color and value.

  4. step 04

    Render the drapery, carefully observing the folds and highlights to create a sense of volume and texture.

  5. step 05

    Add details to the patterns on the fabrics, using fine brushes and precise strokes.

  6. step 06

    Refine the architectural elements, paying attention to the details of the columns and ornaments.

  7. step 07

    Adjust the overall lighting and shadows to create a sense of depth and atmosphere.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · ivory black · yellow ochre · burnt umber · titanium white

secondary · cadmium red · ultramarine blue · gold

Mix skin tones using white, yellow ochre, and a touch of red and umber. Achieve the golden hues by mixing yellow ochre with burnt umber and a touch of red. Use glazes of ultramarine blue and burnt umber to create shadows.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro
  • ·rendering

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the skin tones and losing the subtle variations in color.
  • →Failing to create a sense of depth and volume in the drapery.
  • →Making the patterns on the fabrics look flat and lifeless.

materials

surface · stretched canvas

required

  • ·stretched canvas 24x36
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·painting medium

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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