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home·artworks·Lesbia and Her Sparrow
Lesbia and Her Sparrow by Edward Poynter

plate no. 0194

Lesbia and Her Sparrow

Edward Poynter, 1907

oilAcademicismportraitfigureportraitgardenbirdgrapesflowers
some experience helpful

Recreating this painting will help students develop skills in portraiture, drapery painting, and creating a sense of depth through atmospheric perspective. It also offers practice in rendering realistic textures and subtle color variations.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure and major elements.

  2. step 02

    Establish the background with broad washes of color, paying attention to the variations in greens and blues.

  3. step 03

    Block in the main shapes of the figure, including the face, hands, and drapery, using a limited palette.

  4. step 04

    Develop the skin tones with careful blending and layering of colors, focusing on the subtle shifts in value.

  5. step 05

    Add details to the drapery, capturing the folds and highlights with precise brushstrokes.

  6. step 06

    Paint the bird and grapes, paying attention to their texture and form.

  7. step 07

    Refine the background details, such as the flowers and foliage, adding depth and interest.

  8. step 08

    Add final highlights and shadows to enhance the overall sense of realism.

color palette

primary · alizarin crimson · ultramarine blue · yellow ochre · titanium white

secondary · viridian green · purple · raw umber

Achieve skin tones by mixing alizarin crimson, yellow ochre, and titanium white, adjusting the proportions for highlights and shadows. Create the purples by blending alizarin crimson and ultramarine blue.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro
  • ·drapery study

common pitfalls

  • →Overblending the skin tones, resulting in a flat and lifeless appearance.
  • →Neglecting the subtle color variations in the drapery, making it look too uniform.
  • →Failing to establish a strong sense of depth in the background.
  • →Getting lost in details too early, before establishing the overall composition and values.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (alizarin crimson, ultramarine blue, yellow ochre, titanium white, viridian green, raw umber)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·painting medium

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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