apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Les funérailles de Guillaume le Conquérant
Les funérailles de Guillaume le Conquérant by Jean-Paul Laurens

plate no. 8265

Les funérailles de Guillaume le Conquérant

Jean-Paul Laurens

oilAcademicismhistory paintingfiguresinteriorfuneralreligiousarchitecturehistorical
experienced study

Recreating this painting will help students develop skills in rendering figures in complex poses and understanding atmospheric perspective to create depth. It also provides practice in mixing muted colors and capturing the nuances of light and shadow.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures and architecture.

  2. step 02

    Block in the main shapes and values using a limited palette of earth tones.

  3. step 03

    Develop the background architecture, paying attention to the subtle color variations and details.

  4. step 04

    Begin refining the figures, focusing on accurate anatomy and drapery.

  5. step 05

    Add details to the faces and hands, capturing the expressions and gestures of the figures.

  6. step 06

    Introduce the brighter colors of the clothing and the red shroud, carefully controlling their intensity.

  7. step 07

    Render the light sources, such as the candles, and their effect on the surrounding environment.

  8. step 08

    Add final details and highlights to create a sense of realism and depth.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · cadmium red · yellow ochre · ultramarine blue

Achieve the muted tones by mixing earth colors with small amounts of black and white. Use ultramarine blue sparingly to create subtle grays and shadows. Mix cadmium red with burnt umber to create the red shroud.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too bright or saturated.
  • →Ignoring the importance of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·medium alkyd

Use a medium-tooth canvas to allow for layering and blending of colors. Consider using a toned canvas to establish a base value.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of a Young Woman

Portrait of a Young Woman

George Demetrescu Mirea

My daughters, Eva and Jeanne

My daughters, Eva and Jeanne

Diogène Maillart

The Reluctant Bride

The Reluctant Bride

Auguste Toulmouche

The Proposal

The Proposal

Wladyslaw Czachorski

The Dressing Room

The Dressing Room

Henri-Pierre Picou

Girl with pinks

Girl with pinks

Wladyslaw Czachorski

Self-Portrait

Self-Portrait

George Demetrescu Mirea

The age

The age

Ludwig Knaus