apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Lelátás a templomdombról
Lelátás a templomdombról by Vajda Lajos

plate no. 2861

Lelátás a templomdombról

Vajda Lajos, 1929

oilCubismcityscapebuildingscityscapearchitecturecubism
some experience helpful

Recreating this painting will help students understand value relationships and how to simplify complex scenes into geometric forms. It's a good exercise in abstracting reality.

technical profile

palette complexity
2
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic geometric shapes and lines of the buildings, focusing on the overall composition.

  2. step 02

    Establish the darkest areas of the painting with a thin wash of dark brown or black.

  3. step 03

    Gradually build up the mid-tones, paying attention to the light source and how it affects the forms.

  4. step 04

    Use a dry brush technique to create texture and add depth to the buildings.

  5. step 05

    Define the edges of the shapes with darker lines to create contrast and separation.

  6. step 06

    Add highlights to the lighter areas to enhance the three-dimensionality of the forms.

  7. step 07

    Refine the details and adjust the values as needed to achieve the desired effect.

  8. step 08

    Step back and assess the overall balance and harmony of the painting.

color palette

primary · sepia · ivory black

secondary · raw umber · titanium white

Mix sepia and ivory black to create a range of dark tones. Add titanium white to lighten the values and create highlights. Use raw umber for subtle variations in the mid-tones.

techniques

  • ·Dry brush
  • ·Value shading
  • ·Geometric abstraction
  • ·Limited palette
  • ·Layering

common pitfalls

  • →Overcomplicating the shapes and details.
  • →Not establishing a clear value structure.
  • →Using too much color.
  • →Losing the sense of depth and form.

materials

surface · stretched canvas

required

  • ·Stretched canvas
  • ·Sepia oil paint
  • ·Ivory black oil paint
  • ·Raw umber oil paint
  • ·Titanium white oil paint
  • ·Round brushes (various sizes)
  • ·Palette
  • ·Odorless mineral spirits

optional

  • ·Palette knife
  • ·Medium (linseed oil or alkyd)

Use a canvas with a smooth surface to facilitate the dry brush technique. Consider toning the canvas with a light wash of raw umber before starting.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Komposition

Komposition

Leo Leuppi

Landscape near Martigues

Landscape near Martigues

Andre Derain

Windmill

Windmill

Amadeo de Souza-Cardoso

Untitled (Husain's Family)

Untitled (Husain's Family)

M.F. Husain

At the bar

At the bar

Carlos Saenz de Tejada

Figures by a Rock Pool

Figures by a Rock Pool

Dorrit Black

Postava

Postava

Josef Capek

Gelmeroda III

Gelmeroda III

Lyonel Feininger