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home·artworks·Le Puy. The Sunny Plaza
Le Puy. The Sunny Plaza by Albert Dubois-Pillet

plate no. 2775

Le Puy. The Sunny Plaza

Albert Dubois-Pillet, 1890

oilPointillismcityscapecityscapeplazabuildingsskyfigurescross
experienced study

Recreating this painting will help students develop skills in color mixing, pointillism technique, and understanding how small dots of color create larger forms. It also encourages patience and attention to detail.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the buildings, the cross, the mountain, and the plaza.

  2. step 02

    Establish the horizon line and basic perspective.

  3. step 03

    Start with the sky, applying small dots of blue, white, and hints of pink and yellow.

  4. step 04

    Move to the mountain, using earth tones, reds, and oranges in a pointillist manner.

  5. step 05

    Paint the buildings, using a base of light yellow and adding dots of blue, orange, and white to create shadows and highlights.

  6. step 06

    Address the plaza, using a mix of orange, red, yellow, and brown dots to simulate the cobblestones.

  7. step 07

    Add the figures and trees, using darker greens, blues, and browns.

  8. step 08

    Refine the details, such as the cross and the windows, and adjust the colors as needed.

color palette

primary · ultramarine blue · yellow ochre · burnt sienna

secondary · titanium white · cadmium red light · sap green

Achieve the subtle color variations by mixing small amounts of complementary colors. For example, mix a touch of blue into your oranges to create shadows, or a touch of orange into your blues to create atmospheric haze.

techniques

  • ·Pointillism: Applying small dots of pure color that blend optically.
  • ·Color mixing: Creating a range of colors from a limited palette.
  • ·Atmospheric perspective: Using lighter and cooler colors for distant objects.
  • ·Optical mixing: Letting the viewer's eye blend the colors.
  • ·Layering: Building up the painting with multiple layers of dots.

common pitfalls

  • →Overmixing colors on the palette, resulting in muddy tones.
  • →Making the dots too large or too uniform, losing the pointillist effect.
  • →Ignoring the color relationships between different areas of the painting.
  • →Losing patience and rushing the process.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·small round brushes (#0, #1, #2)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·turpentine or odorless mineral spirits (for cleaning brushes)
  • ·rags

optional

  • ·easel
  • ·medium gloss
  • ·color wheel

Use high-quality paints for best results. Experiment with different brush sizes to achieve the desired dot size.

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oil painting for beginners →how to learn by studying the masters →
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