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home·artworks·Le Puy in the Snow
Le Puy in the Snow by Albert Dubois-Pillet

plate no. 7534

Le Puy in the Snow

Albert Dubois-Pillet, 1889

oilPointillismlandscapelandscapetreessnowfigurepathfence
experienced study

Recreating this painting will help students understand color mixing for pointillism and how to create depth and texture using small dots of color. It also provides practice in creating a cohesive composition with a focus on light and shadow.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, including the trees, path, figure, and distant landscape.

  2. step 02

    Establish the overall color scheme, focusing on the warm yellows and oranges of the sky and the cool blues and purples of the shadows in the snow.

  3. step 03

    Begin applying small dots of color to the sky, varying the hues to create a sense of depth and atmosphere.

  4. step 04

    Move on to the trees, using darker blues, browns, and reds to create the foliage and branches.

  5. step 05

    Paint the path with a mix of browns, oranges, and reds, following the perspective to create depth.

  6. step 06

    Add the figure in blue, using small dots to define the form.

  7. step 07

    Create the snow-covered ground with a mix of white, blue, and yellow dots, paying attention to the shadows cast by the trees and figure.

  8. step 08

    Refine the details, such as the fence posts and the distant landscape, using small dots of color to create texture and depth.

color palette

primary · yellow ochre · ultramarine blue · burnt sienna

secondary · titanium white · cadmium red · violet

Mix white with small amounts of blue and yellow to create the snow. Use varying amounts of blue and yellow to create the sky. Mix red and brown for the path.

techniques

  • ·pointillism
  • ·color mixing
  • ·layering
  • ·atmospheric perspective
  • ·optical mixing

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Applying dots too uniformly, creating a flat and lifeless effect.
  • →Ignoring the principles of perspective, resulting in a distorted composition.
  • →Losing the overall color harmony by using too many unrelated colors.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·small round brushes (various sizes)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·mineral spirits or turpentine (for cleaning brushes)
  • ·rags

optional

  • ·easel
  • ·color wheel
  • ·painting medium

Use high-quality paints for best results. Small, round brushes are essential for creating the pointillist effect.

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