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home·artworks·Last Chance or Bust
Last Chance or Bust by Charles M. Russell

plate no. 6997

Last Chance or Bust

Charles M. Russell, 1900

oilRomanticismgenre paintingfigureshorseswaterlandscapeanimalssky
some experience helpful

Recreating this painting will help students develop skills in depicting reflections in water and creating a sense of depth through atmospheric perspective. It also provides practice in rendering figures and animals in a landscape setting.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and composition, paying attention to the placement of figures, horses, and the waterline.

  2. step 02

    Establish the sky and distant landscape with diluted washes of color.

  3. step 03

    Block in the general colors of the figures, horses, and surrounding vegetation.

  4. step 04

    Begin layering colors to define the forms and add details to the figures and horses.

  5. step 05

    Create the water reflections by mirroring the colors and shapes of the objects above, using a slightly blurred and softened effect.

  6. step 06

    Add details to the foreground vegetation, using dry brush techniques to create texture.

  7. step 07

    Refine the details of the figures and horses, paying attention to light and shadow.

  8. step 08

    Add final highlights and shadows to enhance the overall depth and realism of the painting.

color palette

primary · ultramarine blue · burnt sienna · yellow ochre

secondary · alizarin crimson · raw umber · titanium white

Mix blue and burnt sienna for the sky and distant mountains. Use yellow ochre and burnt sienna for the grasses and horses. Add white to create lighter tones and to soften the colors.

techniques

  • ·wet-on-wet blending
  • ·dry brush texture
  • ·atmospheric perspective
  • ·reflected light
  • ·layering

common pitfalls

  • →Overworking the details too early in the process.
  • →Making the reflections too sharp and defined.
  • →Not establishing a clear sense of depth and distance.
  • →Using colors that are too saturated and unrealistic.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper 140lb
  • ·watercolor paints
  • ·round brushes (various sizes)
  • ·flat brush
  • ·palette
  • ·water container
  • ·masking tape
  • ·sketching pencil

optional

  • ·palette knife
  • ·gouache
  • ·watercolor pencils

Use high-quality watercolor paper to prevent buckling and allow for multiple layers of paint. Consider using a limited palette to create a harmonious color scheme.

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oil painting for beginners →how to learn by studying the masters →
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