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home·artworks·Landscape with the Rest on the Flight
Landscape with the Rest on the Flight by Joachim Patinir

plate no. 7756

Landscape with the Rest on the Flight

Joachim Patinir

oil, woodNorthern Renaissancelandscapelandscapefiguresbuildingsrivertreescastles
experienced study

Recreating this painting will help students develop skills in layering, creating depth through atmospheric perspective, and rendering detailed figures within a complex landscape. It also provides practice in color mixing to achieve muted, earthy tones.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
1

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main compositional elements: the foreground figures, the winding river, the buildings, and the distant castles.

  2. step 02

    Establish the base tones for the sky, using thin washes of muted blues and grays, paying attention to the cloud formations.

  3. step 03

    Block in the general shapes and colors of the distant landscape, using lighter and cooler tones to create atmospheric perspective.

  4. step 04

    Begin layering the mid-ground elements, such as the buildings and trees, gradually adding more detail and definition.

  5. step 05

    Establish the darker tones in the foreground foliage and the figures, building up the shadows and highlights.

  6. step 06

    Refine the details of the figures, paying attention to the folds of the clothing and the facial features.

  7. step 07

    Add the small details throughout the landscape, such as the animals, birds, and architectural elements.

  8. step 08

    Apply a final glaze to unify the painting and enhance the colors.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · ultramarine blue · yellow ochre · cadmium red light

Achieve the muted tones by mixing earth pigments with white and small amounts of blue or red. Use glazes of thinned color to build up depth and luminosity.

techniques

  • ·layering
  • ·glazing
  • ·atmospheric perspective
  • ·scumbling
  • ·rendering figures

common pitfalls

  • →overworking the details
  • →creating too much contrast
  • →losing the sense of depth
  • →inaccurate proportions of figures

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·round brushes (sizes 0, 2, 4)
  • ·flat brushes (sizes 4, 6)
  • ·linseed oil
  • ·turpentine
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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