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home·artworks·Landscape with the Flight into Egypt
Landscape with the Flight into Egypt by Pieter Bruegel the Elder

plate no. 3382

Landscape with the Flight into Egypt

Pieter Bruegel the Elder, 1563

oil, panelNorthern Renaissancelandscapelandscapemountainsriverfigurestreessky
experienced study

Recreating this painting will help students develop skills in atmospheric perspective and layering techniques to create depth. It also provides practice in rendering complex landscapes with varied textures and details.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the mountains, river, and foreground elements.

  2. step 02

    Establish the sky and distant mountains with thin washes of color, using lighter values for areas further away.

  3. step 03

    Block in the major landforms, starting with the darkest shadows and gradually adding highlights.

  4. step 04

    Develop the details of the rocks and trees in the foreground, paying attention to texture and form.

  5. step 05

    Add the figures, ensuring they are appropriately scaled and placed within the landscape.

  6. step 06

    Refine the colors and values throughout the painting, adjusting the atmospheric perspective as needed.

  7. step 07

    Add final details such as small plants, branches, and highlights to create a sense of realism.

  8. step 08

    Glaze over certain areas to unify the colors and create a sense of depth.

color palette

primary · ultramarine blue · burnt umber · titanium white

secondary · yellow ochre · cadmium red · viridian

Achieve the muted greens by mixing ultramarine blue, yellow ochre, and burnt umber. Create atmospheric perspective by adding white to the colors as they recede into the distance.

techniques

  • ·glazing
  • ·atmospheric perspective
  • ·dry brushing
  • ·layering
  • ·scumbling

common pitfalls

  • →Failing to establish a strong sense of atmospheric perspective, resulting in a flat image.
  • →Overworking the details in the foreground, making it appear too busy.
  • →Using colors that are too saturated, creating an unrealistic effect.
  • →Inaccurate scaling of the figures within the landscape.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·turpentine
  • ·linseed oil
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·palette knife

optional

  • ·retouch varnish
  • ·painting medium
  • ·easel

Use a fine-grained canvas to allow for detailed brushwork. Consider using a medium to improve the flow and blending of the oil paints.

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