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home·artworks·Landscape with the Fall of Icarus
Landscape with the Fall of Icarus by Pieter Bruegel the Elder

plate no. 1436

Landscape with the Fall of Icarus

Pieter Bruegel the Elder, 1560

oil, canvasNorthern Renaissancemythological paintinglandscapeseafiguresshiptreesmountains
experienced study

Recreating this painting will help students develop skills in atmospheric perspective, layering, and rendering complex scenes with multiple focal points. It also provides practice in depicting figures and objects at various scales.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and major landforms.

  2. step 02

    Establish the sky and sea with broad washes of color, paying attention to the subtle gradations.

  3. step 03

    Block in the main areas of the landscape: the foreground fields, the midground trees, and the distant mountains.

  4. step 04

    Add details to the figures and animals in the foreground, using small brushes.

  5. step 05

    Paint the ship, carefully rendering its rigging and sails.

  6. step 06

    Develop the details of the distant city and mountains, using lighter tones to create atmospheric perspective.

  7. step 07

    Add final details, such as the birds in the sky and the subtle highlights on the water.

  8. step 08

    Glaze to unify the painting and add depth to the colors.

color palette

primary · viridian green · yellow ochre · titanium white

secondary · burnt umber · cadmium red · ultramarine blue

Achieve the muted greens by mixing viridian green with yellow ochre and a touch of burnt umber. Create atmospheric perspective by lightening colors with white and adding a touch of blue as objects recede into the distance.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·layering
  • ·scumbling
  • ·linear perspective

common pitfalls

  • →Overworking details in the background
  • →Ignoring the subtle color variations in the sky and sea
  • →Failing to create a sense of depth
  • →Getting lost in the complexity of the composition

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·turpentine
  • ·linseed oil
  • ·#2 round brush
  • ·#6 flat brush
  • ·#10 filbert brush
  • ·palette

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium gloss
  • ·easel

Use a fine-grained canvas to allow for detailed brushwork. Consider using a medium to improve the flow of the oil paints.

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