apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Landscape with the destruction of Sodom and Gomorrah
Landscape with the destruction of Sodom and Gomorrah by Joachim Patinir

plate no. 3245

Landscape with the destruction of Sodom and Gomorrah

Joachim Patinir, 1520

oil, panelNorthern Renaissancelandscapelandscapecityscapefirerocksfiguressky
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective, color mixing to create a sense of depth, and rendering complex forms like rocks and buildings.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the city, rocks, and figures.

  2. step 02

    Establish the sky with a base layer of red and orange, blending to create a fiery effect.

  3. step 03

    Block in the dark tones of the city and landscape, paying attention to the overall value structure.

  4. step 04

    Begin layering the rocks, using light and shadow to define their form.

  5. step 05

    Add details to the burning city, including flames and smoke.

  6. step 06

    Paint the figures in the foreground, using small brushes for detail.

  7. step 07

    Refine the overall composition, adjusting values and adding highlights.

  8. step 08

    Add final details, such as the path and small plants.

color palette

primary · red · orange · brown · grey

secondary · yellow · green · white

Achieve the fiery sky by blending reds, oranges, and yellows. Mix browns and greens for the landscape, using white to lighten values. Create the rock formations by mixing greys and whites with subtle hints of brown and yellow.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·layering
  • ·dry brushing

common pitfalls

  • →Overworking the details in the city too early.
  • →Failing to create a convincing sense of depth.
  • →Using colors that are too saturated.
  • →Ignoring the overall value structure.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (red, orange, brown, grey, yellow, green, white)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (small round, medium flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the overall color scheme.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Aristotle

Aristotle

Justus van Gent

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

Martin Schongauer

The pride of the beggar sitting on the train of haughtiness

The pride of the beggar sitting on the train of haughtiness

Albrecht Altdorfer

Adoration of the Magi

Adoration of the Magi

Quentin Matsys

Christ on the Cross

Christ on the Cross

Albrecht Altdorfer

Frühling - Das Bereiten Der Blumenbeete

Frühling - Das Bereiten Der Blumenbeete

Pieter Brueghel the Younger

Group of Men

Group of Men

Rogier van der Weyden

Madonna and Child Holding a Pear

Madonna and Child Holding a Pear

Bernard Van Orley