apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Landscape with St. Christopher
Landscape with St. Christopher by Joachim Patinir

plate no. 6094

Landscape with St. Christopher

Joachim Patinir, 1520

oilNorthern Renaissancereligious paintinglandscaperiverfiguresmountainsarchitecturesky
experienced study

Recreating this painting will develop skills in layering colors to create depth and atmospheric perspective, as well as accurately rendering the human figure in a complex landscape.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the main figures and landscape elements.

  2. step 02

    Establish the horizon line and the overall perspective of the scene.

  3. step 03

    Block in the main color areas, starting with the sky and distant mountains.

  4. step 04

    Develop the mid-ground landscape, adding details to the trees, buildings, and waterways.

  5. step 05

    Paint the figures of St. Christopher and the other individuals, paying attention to anatomy and drapery.

  6. step 06

    Refine the foreground elements, including the rocks, vegetation, and water.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the atmospheric effects.

color palette

primary · ultramarine blue · yellow ochre · burnt sienna · titanium white

secondary · viridian green · cadmium red · raw umber

Mix greens by combining blue and yellow. Achieve atmospheric perspective by adding white to colors for distant elements. Use thin glazes of burnt sienna and umber to create shadows and depth.

techniques

  • ·layering
  • ·glazing
  • ·atmospheric perspective
  • ·figure drawing
  • ·color blending

common pitfalls

  • →overworking details too early
  • →inaccurate proportions of figures
  • →muddying colors by over-mixing
  • →failing to create a sense of depth

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·turpentine or odorless mineral spirits
  • ·linseed oil
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Aristotle

Aristotle

Justus van Gent

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

Martin Schongauer

The pride of the beggar sitting on the train of haughtiness

The pride of the beggar sitting on the train of haughtiness

Albrecht Altdorfer

Adoration of the Magi

Adoration of the Magi

Quentin Matsys

Christ on the Cross

Christ on the Cross

Albrecht Altdorfer

Frühling - Das Bereiten Der Blumenbeete

Frühling - Das Bereiten Der Blumenbeete

Pieter Brueghel the Younger

Group of Men

Group of Men

Rogier van der Weyden

Madonna and Child Holding a Pear

Madonna and Child Holding a Pear

Bernard Van Orley