plate no. 4494

Landscape with Lock

oilPointillismlandscapelandscapewatertreesskyreflectionslock

some experience helpful

Recreating this painting will help students understand color mixing for pointillism and develop patience for applying small, distinct brushstrokes. It also provides practice in creating atmospheric perspective using color and value.

technical profile

palette complexity

brushwork visibility

value contrast

compositional simplicity

study guide

est. 12 hrs

approach — 8 steps

step 01
Lightly sketch the basic shapes of the landscape: the horizon line, the trees, the water, and the lock.
step 02
Establish the overall color scheme by applying a thin wash of the dominant colors for the sky, water, and land.
step 03
Begin applying small dots of color to the sky, starting with the lightest tones and gradually adding darker shades.
step 04
Repeat the dotting technique for the water, paying attention to the reflections of the trees and sky.
step 05
Add dots of color to the trees and land, using a variety of greens, browns, and reds to create depth and texture.
step 06
Focus on building up layers of color to create a sense of depth and atmosphere.
step 07
Refine the details of the lock and other elements in the landscape.
step 08
Step back and assess the overall balance and harmony of the painting, making any necessary adjustments.

color palette

primary · yellow ochre · ultramarine blue · burnt umber · titanium white

secondary · cadmium red · viridian green

Mix yellow ochre and white for the sky, adding small amounts of blue or burnt umber to create variations in tone. Use ultramarine blue and burnt umber to create dark tones for the trees and reflections. Mix viridian green with yellow ochre and burnt umber for the foliage.

techniques