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home·artworks·Landscape with Figures among Roman Ruins
Landscape with Figures among Roman Ruins by Jean Barbault

plate no. 9115

Landscape with Figures among Roman Ruins

Jean Barbault

oilRococolandscaperuinslandscapefigurestreesskyarchitecture
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering architectural details with light and shadow. It also provides practice in depicting figures within a landscape setting.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the ruins and figures.

  2. step 02

    Establish the horizon line and the overall perspective of the scene.

  3. step 03

    Block in the main shapes of the sky, ruins, and landscape with thin washes of color.

  4. step 04

    Develop the sky with soft, blended brushstrokes, creating a sense of depth.

  5. step 05

    Build up the details of the ruins, paying attention to the light and shadow.

  6. step 06

    Add the figures, focusing on their proportions and gestures.

  7. step 07

    Refine the details of the landscape, including the trees and foliage.

  8. step 08

    Add final highlights and shadows to create a sense of realism.

color palette

primary · raw umber · titanium white · cerulean blue

secondary · yellow ochre · burnt sienna · cadmium red light

Mix various shades of gray and brown by combining raw umber, white, and small amounts of blue or yellow. Use thin washes of color to create atmospheric perspective.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·chiaroscuro

common pitfalls

  • →Overworking the details and losing the overall sense of atmosphere.
  • →Failing to establish a clear light source.
  • →Making the colors too saturated and unnatural.
  • →Ignoring the principles of perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·cerulean blue oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·cadmium red light oil paint
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for best results. Thin the oil paints with linseed oil or turpentine to create glazes.

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