
plate no. 3333
Károly Lotz, 1870
This painting offers practice in creating atmospheric perspective and using washes to build up layers of color. Students can learn to simplify complex scenes and focus on capturing the overall mood.
technical profile
approach — 8 steps
Lightly sketch the main shapes: horizon line, well, trees, and cloud formations.
Apply a light wash of diluted blue and grey for the sky, leaving areas of white for the clouds.
Paint the distant hills with a diluted green and brown mix, creating a soft, atmospheric effect.
Add a base layer of diluted brown and grey for the foreground field and path.
Define the well structure with darker shades of brown and grey, paying attention to the light and shadow.
Paint the trees with thin, vertical strokes, using a mix of green and brown.
Add details to the foreground, such as grass, rocks, and path texture, using dry brush techniques.
Refine the clouds with subtle washes of grey and blue to create depth and dimension.
color palette
primary · ultramarine blue · burnt umber · raw sienna
secondary · sap green · payne's grey
Mix ultramarine blue with burnt umber to create various shades of grey for the sky and shadows. Use raw sienna and sap green for the landscape, adjusting the proportions to achieve different tones.
techniques
common pitfalls
surface · watercolor paper 140lb
required
optional
Use high-quality watercolor paper to prevent buckling and allow for better blending. Experiment with different brush sizes to achieve various effects.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Romantic Landscape
Karl Lessing

Self-portrait with his brother Francesco
Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie
Léon Cogniet

Duke of Alba
Francisco Goya

Blick Aus Dem Wald Ins Tal
Andreas Achenbach

Young Girl Fixing Her Hair
Sophie Gengembre Anderson

The Plough Inn
William Shayer

Hudson River Landscape
Johann Hermann Carmiencke