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home·artworks·Landscape near Coney Island
Landscape near Coney Island by William Merritt Chase

plate no. 6387

Landscape near Coney Island

William Merritt Chase, 1886

oilImpressionismlandscapelandscapefieldgrassbushesskyfigure
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as simplifying complex forms into expressive brushstrokes. It's a great exercise in capturing the essence of a scene rather than precise details.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition: horizon line, placement of bushes, and figure.

  2. step 02

    Block in the sky with a light, diluted blue-gray wash.

  3. step 03

    Establish the overall color of the field with a thin layer of yellow ochre and raw sienna.

  4. step 04

    Add vertical strokes of varying browns and yellows to represent the grass, allowing some of the underlayer to show through.

  5. step 05

    Paint the bushes using broken strokes of green, adding highlights with lighter greens and yellows.

  6. step 06

    Indicate the figure with simple shapes and a limited palette of whites and grays.

  7. step 07

    Add subtle details to the distant buildings and water.

  8. step 08

    Refine the brushwork and adjust values to create depth and atmosphere.

color palette

primary · yellow ochre · raw sienna · sap green · titanium white

secondary · burnt umber · ultramarine blue · cadmium yellow light

Mix greens by combining yellow ochre, sap green, and a touch of ultramarine blue. Achieve the sky color by mixing titanium white with a small amount of ultramarine blue and burnt umber.

techniques

  • ·broken color
  • ·dry brushing
  • ·scumbling
  • ·layering
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Creating muddy colors by over-mixing.
  • →Making the brushstrokes too uniform and losing the sense of texture.
  • →Not establishing a clear value structure.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·painting medium
  • ·easel
  • ·rags

Use a medium-textured canvas to enhance the brushwork. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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