apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Landscape Looking Towards Sellers Hall from Mill Bank
Landscape Looking Towards Sellers Hall from Mill Bank by Charles Willson Peale

plate no. 6866

Landscape Looking Towards Sellers Hall from Mill Bank

Charles Willson Peale, 1818

oilRococolandscapetreeslandscapepondskyfieldbuildings
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and atmospheric perspective, as well as practicing rendering realistic foliage and reflections in water.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, paying attention to the placement of the horizon line, trees, pond, and buildings.

  2. step 02

    Block in the sky with light blue and white, blending softly.

  3. step 03

    Establish the basic values of the landscape with thin washes of green, brown, and yellow.

  4. step 04

    Start layering the trees, using darker greens and browns for shadows and lighter greens and yellows for highlights.

  5. step 05

    Paint the pond, capturing the reflections of the sky and surrounding landscape.

  6. step 06

    Add details to the buildings and fence in the distance.

  7. step 07

    Refine the foreground details, such as the grass and vegetation around the pond.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · cerulean blue · yellow ochre · raw umber · sap green

secondary · titanium white · burnt sienna

Mix greens by combining yellow ochre and cerulean blue. Use raw umber and burnt sienna for shadows and earth tones. Lighten colors with titanium white.

techniques

  • ·layering
  • ·blending
  • ·atmospheric perspective
  • ·rendering foliage
  • ·creating reflections

common pitfalls

  • →overworking the details too early
  • →not establishing a clear value structure
  • →making the colors too saturated
  • →ignoring the atmospheric perspective

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·#4 round brush
  • ·#6 flat brush
  • ·cerulean blue oil paint
  • ·yellow ochre oil paint
  • ·raw umber oil paint
  • ·sap green oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·medium gloss

Use a medium-tooth canvas for best results. Thin the oil paints with linseed oil for easier blending.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Louis XV, King of France

Louis XV, King of France

Charles-Andre van Loo (Carle van Loo)

William James

William James

Joshua Reynolds

Wooded Landscape with Gypsies, Evening

Wooded Landscape with Gypsies, Evening

George Lambert

Head of a Scholar

Head of a Scholar

Giovanni Domenico Tiepolo

Gentleman and Wife

Gentleman and Wife

William Williams

Portrait of Antoine Watteau

Portrait of Antoine Watteau

Rosalba Carriera

Portrait of Henriette of France, daughter of Louis XV

Portrait of Henriette of France, daughter of Louis XV

Jean-Étienne Liotard

Mr. John Williams

Mr. John Williams

Benjamin West