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home·artworks·Landscape at Ferte Soud Jouarre
Landscape at Ferte Soud Jouarre by Roger de La Fresnaye

plate no. 5252

Landscape at Ferte Soud Jouarre

Roger de La Fresnaye, 1911

oil, canvasCubismlandscapevillagehouseslandscapehillsskywater
some experience helpful

Recreating this painting will help students understand simplified forms and how to create depth using value and color temperature. It also provides practice in mixing muted tones and applying paint in distinct, visible strokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the hills, houses, and water, focusing on their relative positions.

  2. step 02

    Block in the darkest values first, using a mix of dark blues, browns, and grays for the hills and foreground.

  3. step 03

    Add the lighter values to the houses, using white mixed with a touch of gray or yellow.

  4. step 04

    Paint the red roofs, mixing a warm red with a touch of brown to tone it down.

  5. step 05

    Create the sky with muted blues and grays, blending slightly to suggest clouds.

  6. step 06

    Add the orange-brown area in the foreground, varying the tone slightly to create depth.

  7. step 07

    Refine the shapes of the houses and hills, adding details like the shadows on the buildings.

  8. step 08

    Make final adjustments to the values and colors to create a sense of harmony and depth.

color palette

primary · ultramarine blue · burnt umber · titanium white · cadmium red

secondary · yellow ochre · ivory black

Mix white with small amounts of blue, brown, or yellow to create the various shades of gray and off-white. Use burnt umber and ultramarine blue to create a range of dark grays and blacks. Add a touch of yellow ochre to the browns for warmth.

techniques

  • ·blocking in
  • ·simplified forms
  • ·color mixing
  • ·visible brushstrokes
  • ·value gradation

common pitfalls

  • →over-blending
  • →using colors straight from the tube without mixing
  • →making the shapes too detailed
  • →not establishing a clear value structure

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·#6 flat brush
  • ·#2 round brush
  • ·palette

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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