
plate no. 5252
Roger de La Fresnaye, 1911
Recreating this painting will help students understand simplified forms and how to create depth using value and color temperature. It also provides practice in mixing muted tones and applying paint in distinct, visible strokes.
technical profile
approach — 8 steps
Lightly sketch the basic shapes of the hills, houses, and water, focusing on their relative positions.
Block in the darkest values first, using a mix of dark blues, browns, and grays for the hills and foreground.
Add the lighter values to the houses, using white mixed with a touch of gray or yellow.
Paint the red roofs, mixing a warm red with a touch of brown to tone it down.
Create the sky with muted blues and grays, blending slightly to suggest clouds.
Add the orange-brown area in the foreground, varying the tone slightly to create depth.
Refine the shapes of the houses and hills, adding details like the shadows on the buildings.
Make final adjustments to the values and colors to create a sense of harmony and depth.
color palette
primary · ultramarine blue · burnt umber · titanium white · cadmium red
secondary · yellow ochre · ivory black
Mix white with small amounts of blue, brown, or yellow to create the various shades of gray and off-white. Use burnt umber and ultramarine blue to create a range of dark grays and blacks. Add a touch of yellow ochre to the browns for warmth.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.
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