apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Lamentation of Christ (detail)
Lamentation of Christ (detail) by Geertgen tot Sint Jans

plate no. 5698

Lamentation of Christ (detail)

Geertgen tot Sint Jans, 1484

oilNorthern Renaissancereligious paintingfiguresreligious scenemourningclothinghandstears
experienced study

Recreating this painting will help students develop skills in portraiture, rendering fabric textures, and creating subtle gradations in skin tones. It also provides practice in depicting emotion through facial expressions.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch outlining the main figures and their positions.

  2. step 02

    Block in the main color areas: skin tones, clothing, and background.

  3. step 03

    Begin refining the skin tones, paying attention to subtle shifts in value and color.

  4. step 04

    Work on the fabric of the clothing, focusing on the folds and highlights.

  5. step 05

    Add details to the faces, including the eyes, nose, and mouth. Pay close attention to the expression of grief.

  6. step 06

    Render the hands, carefully observing the anatomy and the way they are clasped.

  7. step 07

    Add the decorative details on the sleeves and head coverings.

  8. step 08

    Refine the background and add any final details.

color palette

primary · ivory black · yellow ochre · cadmium red light

secondary · raw umber · titanium white · gold

Achieve skin tones by mixing yellow ochre, cadmium red light, and titanium white. Use raw umber to create shadows and depth in the clothing and background. Mix gold with yellow ochre and a touch of raw umber.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro
  • ·portraiture

common pitfalls

  • →Overworking the skin tones and creating a muddy effect.
  • →Failing to capture the subtle nuances of the facial expressions.
  • →Ignoring the importance of light and shadow in creating depth.
  • →Getting lost in the details and losing sight of the overall composition.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·cadmium red light oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·assorted round and flat brushes
  • ·linseed oil

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Aristotle

Aristotle

Justus van Gent

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

Martin Schongauer

The pride of the beggar sitting on the train of haughtiness

The pride of the beggar sitting on the train of haughtiness

Albrecht Altdorfer

Adoration of the Magi

Adoration of the Magi

Quentin Matsys

Christ on the Cross

Christ on the Cross

Albrecht Altdorfer

Frühling - Das Bereiten Der Blumenbeete

Frühling - Das Bereiten Der Blumenbeete

Pieter Brueghel the Younger

Group of Men

Group of Men

Rogier van der Weyden

Madonna and Child Holding a Pear

Madonna and Child Holding a Pear

Bernard Van Orley