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home·artworks·Lake Avernus I
Lake Avernus I by Richard Wilson

plate no. 6860

Lake Avernus I

Richard Wilson, 1765

oilRococolandscapelaketreesfiguresruinsskylandscape
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering foliage with varied brushstrokes. It also provides practice in depicting figures within a landscape setting.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the lake, trees, figures, and distant ruins.

  2. step 02

    Establish the sky with light blues and soft cloud formations.

  3. step 03

    Block in the dark masses of the trees on either side, paying attention to their shapes and edges.

  4. step 04

    Add the distant hills and ruins, using muted colors to create atmospheric perspective.

  5. step 05

    Paint the lake, reflecting the sky and surrounding landscape.

  6. step 06

    Define the figures in the foreground, using light and shadow to give them form.

  7. step 07

    Add details to the trees, rocks, and ruins, using varied brushstrokes to create texture.

  8. step 08

    Refine the overall composition, adjusting values and colors as needed.

color palette

primary · ultramarine blue · raw umber · titanium white

secondary · yellow ochre · burnt sienna · sap green

Achieve the muted tones by mixing complementary colors (e.g., blue and orange) with white. Use raw umber and white for the distant hills and ruins.

techniques

  • ·atmospheric perspective
  • ·broken color
  • ·scumbling
  • ·glazing
  • ·dry brushing

common pitfalls

  • →Overworking the details in the distant landscape, losing the atmospheric effect.
  • →Making the colors too saturated, resulting in a less realistic and harmonious scene.
  • →Ignoring the subtle variations in value and color within the trees and foliage.
  • →Creating flat, lifeless reflections in the water.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·#4 round brush
  • ·#6 flat brush

optional

  • ·medium gloss
  • ·easel
  • ·painting rags

Use a medium-grain canvas for best results. Consider using a toned canvas to establish a base color.

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