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home·artworks·Lady Sunderlin
Lady Sunderlin by Joshua Reynolds

plate no. 7327

Lady Sunderlin

Joshua Reynolds, 1786

oil, canvasRococoportraitportraitfiguredresslandscapetreessky
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering fabric textures, as well as understanding atmospheric perspective in landscapes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the figure's pose and the placement of key elements like the trees and horizon line.

  2. step 02

    Establish the background landscape with broad washes of color, paying attention to the atmospheric perspective.

  3. step 03

    Block in the main shapes of the figure, focusing on the overall form and proportions.

  4. step 04

    Begin to refine the figure's features, paying attention to the light and shadow on the face and dress.

  5. step 05

    Develop the details of the dress, using highlights and shadows to create the illusion of folds and textures.

  6. step 06

    Add details to the background, such as the branches of the trees and the clouds in the sky.

  7. step 07

    Refine the overall composition, adjusting colors and values as needed to create a sense of harmony and balance.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · titanium white · ivory black · yellow ochre · burnt umber

secondary · cadmium yellow · alizarin crimson · ultramarine blue

Achieve the subtle variations in the dress by mixing white with small amounts of yellow ochre, burnt umber, and black. Use glazes of alizarin crimson and ultramarine blue to create depth in the shadows.

techniques

  • ·portraiture
  • ·fabric rendering
  • ·atmospheric perspective
  • ·glazing
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Getting the proportions of the figure wrong.
  • →Not paying attention to the atmospheric perspective in the landscape.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·#2 round brush
  • ·#6 flat brush
  • ·#10 filbert brush
  • ·palette knife

optional

  • ·retouch varnish
  • ·painting medium

Use a high-quality canvas and oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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