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home·artworks·Lady Ponsonby, née Caroline Cavendish in Costume Veneziano
Lady Ponsonby, née Caroline Cavendish in Costume Veneziano by Jean-Étienne Liotard

plate no. 2308

Lady Ponsonby, née Caroline Cavendish in Costume Veneziano

Jean-Étienne Liotard, 1743

pastelRococoportraitportraitfiguredressrococohistoricalflowers
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions and rendering of fabric textures, as well as color mixing for skin tones and complex patterns.

technical profile

palette complexity
4
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure on the pastel paper.

  2. step 02

    Establish the background with soft, blended layers of dark browns and greens.

  3. step 03

    Block in the main areas of the dress with base colors of yellow and gold.

  4. step 04

    Begin layering in the details of the floral pattern, using reds, greens, and browns.

  5. step 05

    Develop the skin tones on the face and hands, paying attention to subtle value changes.

  6. step 06

    Add highlights and shadows to create depth and dimension in the dress and figure.

  7. step 07

    Refine the details of the face, including the eyes, nose, and mouth.

  8. step 08

    Add final touches and adjust values as needed to create a cohesive and polished painting.

color palette

primary · yellow ochre · burnt sienna · raw umber

secondary · cadmium red · viridian green · titanium white

Achieve skin tones by mixing white, yellow ochre, and a touch of red. Create the gold fabric by layering yellow ochre with burnt sienna and raw umber. Muted greens are made by mixing viridian green with raw umber.

techniques

  • ·blending
  • ·layering
  • ·scumbling
  • ·hatching
  • ·color mixing

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the pastel and losing the soft texture.
  • →Failing to capture the subtle value changes in the skin tones.
  • →Making the floral pattern too uniform and lacking variation.

materials

surface · Pastel paper (toned)

required

  • ·Pastel paper (toned)
  • ·Soft pastels (various colors)
  • ·Blending stumps
  • ·Kneaded eraser
  • ·Fixative spray
  • ·Drawing board
  • ·Reference image
  • ·Pencil

optional

  • ·Pastel pencils
  • ·Chamois cloth
  • ·Workable fixative

Choose a pastel paper with a slightly rough texture to grip the pastel. Use soft pastels for smooth blending and layering.

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