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home·artworks·Lady Mary Josephine Drummond, Gräfin von Castelblanco
Lady Mary Josephine Drummond, Gräfin von Castelblanco by Jean-Baptiste Oudry

plate no. 1452

Lady Mary Josephine Drummond, Gräfin von Castelblanco

Jean-Baptiste Oudry, 1708

oil, canvasRococoportraitportraitwomandressdoglandscapetree
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering fabric textures. It also provides practice in creating depth and atmosphere in a landscape background.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a rough sketch of the composition, focusing on the placement of the figure, dog, and background elements.

  2. step 02

    Block in the main shapes and colors of the background, starting with the darkest areas.

  3. step 03

    Establish the basic skin tones and features of the face, paying attention to proportions.

  4. step 04

    Begin layering the colors and values of the dress, focusing on capturing the folds and highlights.

  5. step 05

    Paint the dog, paying attention to the fur texture and details.

  6. step 06

    Add details to the background, such as the trees and sky.

  7. step 07

    Refine the facial features and add highlights to the hair and clothing.

  8. step 08

    Add final details and adjust values to create a cohesive and balanced composition.

color palette

primary · titanium white · ivory black · yellow ochre · alizarin crimson

secondary · ultramarine blue · raw umber · cadmium yellow light · rose madder

Mix various shades of gray and off-white by combining white, black, and small amounts of yellow ochre and raw umber. Achieve the pink hues by mixing alizarin crimson and titanium white.

techniques

  • ·portraiture
  • ·fabric rendering
  • ·glazing
  • ·scumbling
  • ·blending

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Oversimplifying the fabric folds.
  • →Creating muddy colors by overmixing.
  • →Ignoring the subtle value changes in the skin tones.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·turpentine

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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