apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Lady in the Park
Lady in the Park by Teodor Axentowicz

plate no. 3386

Lady in the Park

Teodor Axentowicz, 1899

oilImpressionismportraitfigureportraitwatertreeslandscapepark
some experience helpful

Recreating this painting will help students develop skills in capturing light and shadow with loose brushstrokes, as well as mixing skin tones and depicting reflections in water. It also provides practice in simplifying complex forms into basic shapes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, the shoreline, and the trees.

  2. step 02

    Establish the main areas of color with thin washes, blocking in the sky, water, trees, and figure.

  3. step 03

    Begin building up layers of paint, focusing on capturing the light and shadow on the figure's face and clothing.

  4. step 04

    Develop the background, using loose brushstrokes to suggest the trees and foliage.

  5. step 05

    Add details to the water, using horizontal strokes to create the illusion of reflections.

  6. step 06

    Refine the figure's features and clothing, paying attention to the subtle variations in color and tone.

  7. step 07

    Add final highlights and shadows to enhance the sense of depth and dimension.

  8. step 08

    Review the painting and make any necessary adjustments to the composition, color, or value.

color palette

primary · ivory black · yellow ochre · titanium white · burnt umber

secondary · cerulean blue · cadmium yellow light · alizarin crimson · viridian

Mix skin tones by combining white, yellow ochre, and a touch of red. Achieve the water's color by mixing blues, greens, and browns, adding white for highlights. Use burnt umber and ivory black to create dark tones.

techniques

  • ·broken color
  • ·scumbling
  • ·wet-on-wet blending
  • ·alla prima
  • ·impasto

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Failing to capture the subtle variations in color and tone.
  • →Neglecting the importance of light and shadow in creating depth and dimension.
  • →Getting bogged down in details and losing sight of the overall composition.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish
  • ·mahl stick

Use a medium-grain canvas for best results. Consider using a fast-drying medium to speed up the drying time of the oil paints.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann