apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Lady Elizabeth Compton
Lady Elizabeth Compton by Joshua Reynolds

plate no. 8489

Lady Elizabeth Compton

Joshua Reynolds, 1781

oil, canvasRococoportraitportraitfiguredresslandscapetreessky
experienced study

Recreating this painting will develop skills in portraiture, including capturing likeness and rendering fabric, as well as understanding atmospheric perspective in the background landscape. Students will also learn to blend colors smoothly to create soft transitions and subtle highlights.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the figure's proportions and placement within the landscape.

  2. step 02

    Establish the background landscape with broad washes of color, paying attention to atmospheric perspective.

  3. step 03

    Block in the main shapes of the figure, including the dress and facial features.

  4. step 04

    Begin refining the figure's features, focusing on capturing the likeness and expression.

  5. step 05

    Develop the drapery of the dress, paying attention to the folds and highlights.

  6. step 06

    Add details to the background, such as trees and foliage, using loose brushstrokes.

  7. step 07

    Refine the lighting and shadows throughout the painting, creating depth and dimension.

  8. step 08

    Add final details, such as jewelry and facial features, to complete the portrait.

color palette

primary · titanium white · ivory black · yellow ochre · raw umber

secondary · cadmium yellow · alizarin crimson · ultramarine blue

Achieve the skin tones by mixing titanium white, yellow ochre, and a touch of alizarin crimson. Create the off-white dress by mixing titanium white with small amounts of raw umber and yellow ochre. The background landscape uses muted greens and blues achieved by mixing ultramarine blue, yellow ochre, and raw umber.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth and atmosphere in the background.
  • →Using colors that are too bright or saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·raw umber oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Pre-toned canvas with a thin wash of burnt umber can help establish the initial values.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Louis XV, King of France

Louis XV, King of France

Charles-Andre van Loo (Carle van Loo)

William James

William James

Joshua Reynolds

Wooded Landscape with Gypsies, Evening

Wooded Landscape with Gypsies, Evening

George Lambert

Head of a Scholar

Head of a Scholar

Giovanni Domenico Tiepolo

Gentleman and Wife

Gentleman and Wife

William Williams

Portrait of Antoine Watteau

Portrait of Antoine Watteau

Rosalba Carriera

Portrait of Henriette of France, daughter of Louis XV

Portrait of Henriette of France, daughter of Louis XV

Jean-Étienne Liotard

Mr. John Williams

Mr. John Williams

Benjamin West