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home·artworks·Lady Delme and her Children
Lady Delme and her Children by Joshua Reynolds

plate no. 6969

Lady Delme and her Children

Joshua Reynolds, 1780

oil, canvasRococoportraitfigureslandscapetreeschildrenportraitdog
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering fabric textures. It also provides practice in creating atmospheric perspective in the background landscape.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the main elements of the background.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Block in the main colors of the figures, focusing on the large shapes of the clothing and skin tones.

  4. step 04

    Develop the background landscape, paying attention to atmospheric perspective and the softening of details in the distance.

  5. step 05

    Refine the details of the figures, including facial features, hair, and clothing folds.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Work on the details of the dog, capturing its fur texture and expression.

  8. step 08

    Add final glazes to unify the painting and enhance the colors.

color palette

primary · burnt sienna · raw umber · titanium white · cadmium red

secondary · yellow ochre · ultramarine blue · ivory black

Mix various shades of skin tones using titanium white, cadmium red, yellow ochre, and a touch of burnt umber. Achieve the fabric colors by mixing cadmium red with burnt sienna and white, and use ultramarine blue to create the background.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·fabric rendering

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth in the background.
  • →Not capturing the likeness of the subjects.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#2 round brush
  • ·#6 flat brush
  • ·burnt sienna oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a toned canvas to start.

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