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home·artworks·Lady Caroline Edgcumbe (1792–1824)
Lady Caroline Edgcumbe (1792–1824) by John Jackson

plate no. 5141

Lady Caroline Edgcumbe (1792–1824)

John Jackson

oilRococoportraitportraitwomandresshatruffjewelry
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions, subtle skin tone blending, and rendering of fabric textures. It also provides practice in creating a focal point through value and detail.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, hat, and dress.

  2. step 02

    Establish the background color with a thin wash of burnt umber and raw sienna.

  3. step 03

    Block in the main areas of color for the skin, dress, and hat, focusing on the overall values.

  4. step 04

    Begin refining the skin tones with subtle layers of color, paying attention to highlights and shadows.

  5. step 05

    Develop the details of the dress, including the ruff, sleeves, and folds of fabric.

  6. step 06

    Add the details of the hat, including the feathers and texture.

  7. step 07

    Paint the jewelry and any other small details.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · ivory black · titanium white · raw sienna · burnt umber

secondary · cadmium red light · ultramarine blue · yellow ochre

Skin tones are achieved by mixing white, red, yellow ochre, and a touch of blue. Dark areas are created by mixing black and umber. The background is a blend of umber and sienna.

techniques

  • ·portrait painting
  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the skin tones and creating a muddy effect.
  • →Failing to create a sense of depth and dimension.
  • →Not paying enough attention to the details of the clothing and accessories.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·raw sienna oil paint
  • ·burnt umber oil paint
  • ·cadmium red light oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for blending.

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