apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·La ville
La ville by Leopold Survage

plate no. 7395

La ville

Leopold Survage, 1911

oilCubismcityscapecityscapebuildingstreesarchitectureabstractcubist
some experience helpful

Recreating this painting will help students understand the principles of cubism, including the deconstruction and reassembly of forms, and practice creating depth through overlapping geometric shapes.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
2

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Begin by sketching the basic geometric shapes and their arrangement on the canvas, paying attention to the overall composition.

  2. step 02

    Block in the main color areas for each shape, using simplified versions of the colors.

  3. step 03

    Gradually refine the colors within each shape, adding subtle variations and highlights to create depth.

  4. step 04

    Define the edges of the shapes, using darker or lighter tones to create contrast and separation.

  5. step 05

    Add details such as windows, doors, and foliage, simplifying them into geometric forms.

  6. step 06

    Pay attention to the overall balance and harmony of the colors and shapes.

  7. step 07

    Add final touches and adjust values to enhance the overall composition.

  8. step 08

    Consider adding a glaze to unify the colors and create a cohesive look.

color palette

primary · ochre · burnt umber · gray · cream

secondary · orange · blue-gray · green

Mix ochre with white for lighter tones, and burnt umber with black for darker tones. Use small amounts of blue and green to create subtle variations in the grays and browns.

techniques

  • ·geometric abstraction
  • ·color blocking
  • ·layering
  • ·value gradation
  • ·hard-edge painting

common pitfalls

  • →Overcomplicating the shapes and losing the overall composition.
  • →Using too many colors and creating a chaotic look.
  • →Failing to create enough contrast between the shapes.
  • →Ignoring the overall balance and harmony of the painting.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oils)

optional

  • ·medium gloss
  • ·retarder
  • ·easel

Use a smooth canvas for best results. Acrylics will dry faster, while oils will allow for more blending time.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Komposition

Komposition

Leo Leuppi

Landscape near Martigues

Landscape near Martigues

Andre Derain

Windmill

Windmill

Amadeo de Souza-Cardoso

Untitled (Husain's Family)

Untitled (Husain's Family)

M.F. Husain

At the bar

At the bar

Carlos Saenz de Tejada

Figures by a Rock Pool

Figures by a Rock Pool

Dorrit Black

Postava

Postava

Josef Capek

Gelmeroda III

Gelmeroda III

Lyonel Feininger