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home·artworks·La Tour De Babel
La Tour De Babel by Tobias Verhaecht

plate no. 1097

La Tour De Babel

Tobias Verhaecht

oil, canvasNorthern Renaissancereligious paintingtowerarchitecturecityscapefiguresskylandscape
experienced study

Recreating this painting will develop skills in perspective, rendering complex architectural details, and creating atmospheric perspective to suggest depth. It also provides practice in painting figures in a landscape.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the tower, landscape, and foreground elements, paying attention to perspective.

  2. step 02

    Establish the sky and background mountains with thin washes of color, focusing on creating a sense of atmospheric perspective.

  3. step 03

    Block in the main values of the tower, differentiating between light and shadow areas.

  4. step 04

    Begin adding details to the tower, focusing on the architectural elements and the repeating patterns of windows and arches.

  5. step 05

    Develop the foreground elements, including the figures and buildings, using smaller brushes and more detailed brushwork.

  6. step 06

    Refine the details throughout the painting, adjusting values and colors as needed.

  7. step 07

    Add highlights and shadows to create a sense of depth and dimension.

  8. step 08

    Glaze with thin layers of color to unify the painting and create a sense of atmosphere.

color palette

primary · raw umber · burnt sienna · ivory black

secondary · yellow ochre · titanium white · Prussian blue

Achieve the muted tones by mixing earth tones with small amounts of blue and white. Use glazes of burnt sienna and raw umber to create depth and warmth.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·linear perspective
  • ·rendering architectural details

common pitfalls

  • →getting lost in the details too early
  • →inconsistent perspective
  • →muddy colors
  • →lack of value contrast

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·Prussian blue oil paint
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a canvas with a smooth texture to allow for detailed brushwork and glazing. Consider using a toned ground to unify the colors.

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