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home·artworks·La rencontre
La rencontre by Jacques Hérold

plate no. 7966

La rencontre

Jacques Hérold, 1936

oilSurrealismgenre paintingabstract figureslandscapeskyvegetationsurreal
some experience helpful

Recreating this painting will help students develop their skills in color mixing, blending, and creating smooth gradients, as well as understanding abstract forms and surrealist composition.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition, focusing on the placement of the figures and the horizon line.

  2. step 02

    Block in the large areas of color: sky, ground, and the main colors of the figures.

  3. step 03

    Start refining the shapes of the figures, paying attention to the curves and contours.

  4. step 04

    Begin adding details to the figures, such as the lines and textures that define their forms.

  5. step 05

    Mix and apply the subtle color variations within each figure to create depth and dimension.

  6. step 06

    Work on the background, blending the sky colors and adding details to the ground and vegetation.

  7. step 07

    Refine the edges and details throughout the painting, ensuring a smooth and polished finish.

  8. step 08

    Add final highlights and shadows to enhance the overall contrast and create a sense of realism.

color palette

primary · burnt sienna · cerulean blue · cadmium red · raw umber

secondary · sap green · titanium white · ivory black

Mix various shades of brown and red by combining burnt sienna, cadmium red, and raw umber. Achieve the sky blue by mixing cerulean blue with titanium white. Use ivory black to create shadows and deepen colors.

techniques

  • ·Blending
  • ·Glazing
  • ·Color mixing
  • ·Smooth brushwork
  • ·Creating gradients

common pitfalls

  • →Overworking the details too early in the process.
  • →Not achieving smooth transitions between colors.
  • →Failing to capture the subtle color variations within the figures.
  • →Inaccurate proportions in the initial sketch.

materials

surface · stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Oil paints (burnt sienna, cerulean blue, cadmium red, raw umber, sap green, titanium white, ivory black)
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·Medium (e.g., Liquin)
  • ·Easel
  • ·Apron

Use high-quality oil paints for best results. Ensure proper ventilation when working with oil paints and solvents.

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oil painting for beginners →how to learn by studying the masters →
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