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home·artworks·La Reforma
La Reforma by Joan Miro

plate no. 1101

La Reforma

Joan Miro, 1916

oilCubismcityscapecityscapebuildingspalm treefiguresskylandscape
some experience helpful

Recreating this painting will help students develop skills in simplifying complex forms into geometric shapes and using expressive color to convey mood and atmosphere. Students will also learn to create depth through color and value variations.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings, the palm tree, and the figures, focusing on proportions and placement.

  2. step 02

    Block in the large areas of color, starting with the sky and ground, using thin washes.

  3. step 03

    Add the darker values to define the forms of the buildings and create shadows.

  4. step 04

    Introduce the brighter colors, such as the yellows and oranges, to create highlights and visual interest.

  5. step 05

    Refine the details of the palm tree and the figures, using small brushstrokes.

  6. step 06

    Add the blue outlines to define the shapes and create a sense of depth.

  7. step 07

    Adjust the colors and values as needed to achieve a harmonious composition.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · burnt sienna · yellow ochre · ultramarine blue

secondary · cadmium orange · titanium white · viridian green

Mix burnt sienna and ultramarine blue to create the darker browns and blacks. Use yellow ochre and cadmium orange to create the warm highlights. Mix ultramarine blue and viridian green for the palm tree leaves.

techniques

  • ·blocking in
  • ·color mixing
  • ·expressive brushstrokes
  • ·simplification of forms
  • ·color outlining

common pitfalls

  • →Overworking the details and losing the expressive quality of the brushstrokes.
  • →Using colors straight from the tube without mixing them to create subtle variations.
  • →Failing to simplify the forms and creating a cluttered composition.
  • →Not paying attention to the value contrasts and creating a flat, uninteresting painting.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·acrylic paints (burnt sienna, yellow ochre, ultramarine blue, cadmium orange, titanium white, viridian green)
  • ·assorted brushes (flat and round)
  • ·palette
  • ·palette knife
  • ·water container
  • ·rags
  • ·easel

optional

  • ·painting medium (e.g., acrylic glazing medium)
  • ·varnish

Use good quality acrylic paints for best results. Consider using a medium to extend the drying time of the acrylics and allow for more blending.

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oil painting for beginners →how to learn by studying the masters →
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