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home·artworks·La pétrification de la papesse
La pétrification de la papesse by Victor Brauner

plate no. 5542

La pétrification de la papesse

Victor Brauner, 1945

oilSurrealismsymbolic paintingfigureportraitabstractsurrealgeometrictexture
some experience helpful

Recreating this painting will help students develop skills in layering paint to create texture and using contrasting colors to define shapes. Students will also practice simplifying complex forms into basic geometric shapes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the figure and background, focusing on proportions.

  2. step 02

    Apply a base layer of color to the background, using a mix of blue and gray for the top and brown for the bottom.

  3. step 03

    Add texture to the background by dabbing and stippling paint with a brush or sponge.

  4. step 04

    Paint the figure's head and body with white, adding subtle variations in tone with gray and brown.

  5. step 05

    Create the eye and other facial features using black and brown paint, paying attention to the details of the lines and shapes.

  6. step 06

    Paint the geometric shapes of the clothing with brown and white, adding black lines to define the edges.

  7. step 07

    Add final details and highlights to the painting, using a fine brush to create texture and depth.

  8. step 08

    Allow the painting to dry completely.

color palette

primary · titanium white · ultramarine blue · burnt umber

secondary · ivory black · raw sienna

Mix white with small amounts of black and brown to create subtle variations in tone for the figure. Use a combination of blue and white for the background, adding small amounts of black to create depth. Mix burnt umber with white to create the lighter shades of brown for the clothing.

techniques

  • ·dry brushing
  • ·layering
  • ·scumbling
  • ·impasto
  • ·geometric abstraction

common pitfalls

  • →Overworking the texture, resulting in a muddy appearance.
  • →Failing to create enough contrast between the figure and the background.
  • →Inaccurate proportions in the initial sketch.
  • →Not allowing enough drying time between layers.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·mineral spirits (for cleaning brushes)

optional

  • ·painting medium
  • ·varnish
  • ·easel

Consider using a textured canvas to enhance the painting's tactile quality. Acrylics are faster drying, while oils allow for more blending time.

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oil painting for beginners →how to learn by studying the masters →
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