apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·La multiplicacion de los panes y peces
La multiplicacion de los panes y peces by Arturo Michelena

plate no. 2084

La multiplicacion de los panes y peces

Arturo Michelena, 1897

oilAcademicismreligious paintingfigureslandscapeskycloudstreesreligious scene
experienced study

Recreating this painting will help students develop skills in figure drawing, composition, and atmospheric perspective. It also provides practice in rendering complex drapery and varied skin tones.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the major figures and landscape elements, paying attention to proportions and placement.

  2. step 02

    Establish the background sky and distant landscape with broad washes of color, focusing on atmospheric perspective.

  3. step 03

    Block in the main figures with simplified shapes and values, establishing the overall composition and light source.

  4. step 04

    Develop the details of the figures, including drapery folds, facial features, and hand gestures.

  5. step 05

    Refine the colors and values of the figures, paying attention to the interplay of light and shadow.

  6. step 06

    Add details to the foreground elements, such as baskets, food, and vegetation.

  7. step 07

    Adjust the overall composition and color balance to create a cohesive and harmonious image.

  8. step 08

    Add final highlights and details to enhance the realism and visual impact of the painting.

color palette

primary · ultramarine blue · burnt umber · titanium white · cadmium red

secondary · yellow ochre · raw sienna · ivory black

Mix various shades of brown and earth tones by combining burnt umber, yellow ochre, and small amounts of red and blue. Achieve skin tones by mixing red, yellow, white, and a touch of blue for shadows.

techniques

  • ·figure drawing
  • ·atmospheric perspective
  • ·glazing
  • ·chiaroscuro
  • ·drapery rendering

common pitfalls

  • →getting lost in details too early
  • →inaccurate proportions of figures
  • →muddy colors
  • →lack of value contrast

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for optimal texture. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of a Young Woman

Portrait of a Young Woman

George Demetrescu Mirea

My daughters, Eva and Jeanne

My daughters, Eva and Jeanne

Diogène Maillart

The Reluctant Bride

The Reluctant Bride

Auguste Toulmouche

The Proposal

The Proposal

Wladyslaw Czachorski

The Dressing Room

The Dressing Room

Henri-Pierre Picou

Girl with pinks

Girl with pinks

Wladyslaw Czachorski

Self-Portrait

Self-Portrait

George Demetrescu Mirea

The age

The age

Ludwig Knaus