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home·artworks·La Jeune Artiste
La Jeune Artiste by Joseph Duplessis

plate no. 4912

La Jeune Artiste

Joseph Duplessis, 1765

oil, canvasRococoportraitportraitfiguretabledrawingsculptureclothing
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle skin tone variations, as well as rendering fabric and textures with oil paints.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the figure's proportions and the placement of the table and drawing.

  2. step 02

    Block in the main areas of color, starting with the background and then moving to the figure's clothing and skin.

  3. step 03

    Develop the skin tones using layers of thin glazes, paying attention to the subtle variations in color and value.

  4. step 04

    Refine the details of the clothing, including the ruffles and folds, using a combination of blending and scumbling techniques.

  5. step 05

    Paint the table and the drawing, focusing on the textures and details of these objects.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Glaze the painting to unify the colors and create a smooth, luminous surface.

  8. step 08

    Add final details and adjustments as needed.

color palette

primary · ultramarine blue · ivory black · titanium white · cadmium red light

secondary · yellow ochre · raw umber

Skin tones are achieved by mixing white, red, yellow ochre, and a touch of blue or umber. The blue fabric requires mixing ultramarine with white and black for shadows.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·portraiture
  • ·fabric rendering

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the skin tones and creating a muddy effect.
  • →Failing to capture the subtle variations in color and value.
  • →Ignoring the details of the clothing and other objects.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (ultramarine blue, ivory black, titanium white, cadmium red light, yellow ochre, raw umber)
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife

optional

  • ·retouch varnish
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to make it easier to judge values.

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