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home·artworks·La Duchesse De Chartres En Présence Du Vaisseau Le Saint-esprit Qui Emporte Le Duc De Chartres Au Combat D'ouessant
La Duchesse De Chartres En Présence Du Vaisseau Le Saint-esprit Qui Emporte Le Duc De Chartres Au Combat D'ouessant by Joseph Duplessis

plate no. 6275

La Duchesse De Chartres En Présence Du Vaisseau Le Saint-esprit Qui Emporte Le Duc De Chartres Au Combat D'ouessant

Joseph Duplessis, 1778

oil, canvasRococoportraitportraitfigurelandscaperocksdresssea
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering fabric folds, as well as landscape painting techniques for creating depth and atmosphere.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure and the main landscape elements.

  2. step 02

    Block in the main color areas, starting with the background and then moving to the figure's dress and skin tones.

  3. step 03

    Develop the values and forms of the rocks and foliage, using layers of thin paint.

  4. step 04

    Refine the figure's features and clothing, paying attention to the details of the lace and folds.

  5. step 05

    Add highlights and shadows to create depth and dimension.

  6. step 06

    Paint the details of the book and the surrounding ground.

  7. step 07

    Glaze the painting with thin layers of color to unify the composition.

  8. step 08

    Add final details and highlights.

color palette

primary · titanium white · yellow ochre · raw umber · ivory black

secondary · ultramarine blue · alizarin crimson · viridian

Achieve the subtle variations in the dress by mixing white with small amounts of yellow ochre, raw umber, and blue. Use glazes of alizarin crimson and ultramarine blue to create shadows and depth.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·portraiture
  • ·fabric rendering

common pitfalls

  • →Overworking the details of the dress too early in the process.
  • →Failing to create a sense of depth in the landscape.
  • →Inaccurate proportions of the figure.
  • →Over-blending the colors, resulting in a flat, lifeless painting.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·raw umber oil paint
  • ·ivory black oil paint
  • ·ultramarine blue oil paint
  • ·alizarin crimson oil paint
  • ·round brushes sizes 2, 4, and 6

optional

  • ·palette knife
  • ·linseed oil
  • ·damar varnish

Use high-quality oil paints for best results. Consider using a medium to thin the paints and improve flow.

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