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home·artworks·Kroz prozor
Kroz prozor by Leonid Šejka

plate no. 3300

Kroz prozor

Leonid Šejka, 1966

oilSurrealisminteriorstill lifeinteriortableobjectspaintingchair
experienced study

Recreating this painting will help students develop skills in rendering textures and creating depth through layering and glazing. It also encourages exploration of surreal composition and symbolic object representation.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the main objects and the background painting.

  2. step 02

    Establish the overall color scheme by applying a thin wash of burnt umber and other earth tones to the canvas.

  3. step 03

    Begin blocking in the larger shapes and areas of color, such as the wall, table cloth, and background landscape.

  4. step 04

    Develop the textures of the objects on the table, using layering and dry brushing techniques to create depth and realism.

  5. step 05

    Paint the background painting, paying attention to the atmospheric perspective and subtle color variations.

  6. step 06

    Add details to the objects and background, refining the shapes and adding highlights and shadows.

  7. step 07

    Glaze over the painting with thin layers of color to unify the composition and create a sense of depth.

  8. step 08

    Add final touches and highlights to bring the painting to life.

color palette

primary · burnt umber · titanium white · ultramarine blue

secondary · cadmium red · yellow ochre · ivory black

Achieve the muted tones by mixing the primary colors with white and small amounts of black. Use glazes of diluted colors to create depth and subtle color variations.

techniques

  • ·layering
  • ·glazing
  • ·dry brushing
  • ·scumbling
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Ignoring the importance of atmospheric perspective in the background painting.
  • →Not allowing enough drying time between layers.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·assorted brushes (round, flat, filbert)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Allow each layer to dry completely before applying the next.

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