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home·artworks·KRIVAN, SEEN FROM NEAR VAZSECZ
KRIVAN, SEEN FROM NEAR VAZSECZ by Marianne Stokes

plate no. 1574

KRIVAN, SEEN FROM NEAR VAZSECZ

Marianne Stokes, 1909

oilImpressionismlandscapemountainsfigureslandscapeskycloudsfield
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as simplifying complex landscapes into basic shapes and values. It's also good practice for capturing atmospheric perspective.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the mountains, figures, and foreground.

  2. step 02

    Block in the sky with light blue and white, blending for soft clouds.

  3. step 03

    Establish the base colors of the mountains, using darker blues and browns for shadows.

  4. step 04

    Layer lighter browns and greens onto the foreground field, creating texture with short brushstrokes.

  5. step 05

    Add the figures with simple shapes and colors, paying attention to their relative size and placement.

  6. step 06

    Introduce small red accents in the foreground to represent wildflowers.

  7. step 07

    Refine the details of the mountains and foreground, adding highlights and shadows.

  8. step 08

    Add final touches to the sky and clouds.

color palette

primary · ultramarine blue · burnt umber · yellow ochre · titanium white

secondary · cadmium red · sap green

Mix various shades of brown and green by combining burnt umber, yellow ochre, and ultramarine blue. Use white to lighten colors and create highlights.

techniques

  • ·dry brushing
  • ·layering
  • ·atmospheric perspective
  • ·scumbling
  • ·broken color

common pitfalls

  • →Overworking the details in the foreground.
  • →Making the colors too saturated.
  • →Ignoring the atmospheric perspective and making the mountains too sharp.
  • →Not varying the brushstrokes enough to create texture.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·acrylic or oil paints
  • ·#4 round brush
  • ·#6 flat brush
  • ·#2 filbert brush
  • ·palette
  • ·linseed oil (if using oils)
  • ·odorless mineral spirits (for cleaning brushes)

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-textured canvas to help create texture in the painting. Acrylics will dry faster, while oils will allow for more blending time.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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