apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Kornélia Lotz in White
Kornélia Lotz in White by Károly Lotz

plate no. 8406

Kornélia Lotz in White

Károly Lotz, 1900

oilRomanticismportraitfigureportraitdresslandscapeflowersgarden
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering fabric folds, as well as practice soft blending techniques to create a dreamy atmosphere.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure and background.

  2. step 02

    Establish the overall light and shadow patterns using a thin wash of neutral color.

  3. step 03

    Block in the main color areas of the dress, skin, and background.

  4. step 04

    Refine the facial features, paying attention to subtle variations in tone and color.

  5. step 05

    Develop the folds and drapery of the dress, using highlights and shadows to create depth.

  6. step 06

    Add details to the background, such as the flowers and foliage.

  7. step 07

    Soften edges and blend colors to create a harmonious and atmospheric effect.

  8. step 08

    Add final highlights and details to the face and dress.

color palette

primary · titanium white · yellow ochre · raw umber

secondary · alizarin crimson · ultramarine blue · burnt sienna

Achieve the subtle skin tones by mixing white, yellow ochre, and a touch of alizarin crimson. Create the dress color by mixing white with a small amount of yellow ochre and raw umber. Use ultramarine blue and burnt sienna to create the darker background tones.

techniques

  • ·soft blending
  • ·glazing
  • ·scumbling
  • ·portraiture
  • ·fabric rendering

common pitfalls

  • →Overworking the details and losing the overall softness of the painting.
  • →Failing to capture the subtle variations in skin tone.
  • →Creating harsh lines and edges instead of soft transitions.
  • →Getting the proportions of the figure wrong.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·raw umber oil paint
  • ·alizarin crimson oil paint
  • ·ultramarine blue oil paint
  • ·burnt sienna oil paint
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke