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home·artworks·Kootenai Camp on Swan Lake (unfinished)
Kootenai Camp on Swan Lake (unfinished) by Charles M. Russell

plate no. 7569

Kootenai Camp on Swan Lake (unfinished)

Charles M. Russell, 1926

oilRomanticismlandscapelakemountainstreestipisskylandscape
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and layering techniques to create depth. Students will also practice rendering reflections in water and suggesting details with loose brushwork.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, including the horizon line, mountains, lake, and placement of the tipis.

  2. step 02

    Establish the sky with light blues and purples, blending the colors softly.

  3. step 03

    Paint the distant mountains with muted blues and grays, suggesting snow-capped peaks.

  4. step 04

    Block in the dark green of the forest, using variations in tone to create depth.

  5. step 05

    Add the lighter greens and yellows of the foreground trees and grasses.

  6. step 06

    Paint the tipis with off-white and beige tones, adding shadows to define their forms.

  7. step 07

    Create the lake with horizontal strokes of blue and gray, reflecting the sky and landscape.

  8. step 08

    Add details such as tree trunks, branches, and reflections in the water.

color palette

primary · ultramarine blue · titanium white · yellow ochre · burnt umber

secondary · cadmium yellow · alizarin crimson · sap green

Mix blues and whites for the sky and mountains. Use yellow ochre and burnt umber for earth tones. Add small amounts of alizarin crimson to darken greens and browns.

techniques

  • ·atmospheric perspective
  • ·wet-on-wet blending
  • ·broken color
  • ·scumbling
  • ·layering

common pitfalls

  • →Overworking details
  • →Creating muddy colors
  • →Ignoring atmospheric perspective
  • →Making the reflections too sharp

materials

surface · stretched canvas

required

  • ·stretched canvas 12x24
  • ·#4 round brush
  • ·#6 flat brush
  • ·#8 filbert brush
  • ·palette
  • ·linseed oil
  • ·mineral spirits

optional

  • ·palette knife
  • ·easel
  • ·painting medium

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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