apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Kiyamachi Street, Kyoto
Kiyamachi Street, Kyoto by Asano Takeji

plate no. 7422

Kiyamachi Street, Kyoto

Asano Takeji, 1951

oilShin-hangacityscapebuildingsstreetwaterfigurestreesnight
some experience helpful

Recreating this painting will help students develop skills in color mixing for a night scene and understanding atmospheric perspective. Students will also learn to simplify complex architectural details and capture the essence of the scene.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of buildings, water, and trees.

  2. step 02

    Establish the overall color scheme with a base layer of dark blue for the sky.

  3. step 03

    Add the building structures using a mix of blues, grays, and reds, paying attention to the perspective.

  4. step 04

    Paint the water with reflections, using yellows and blues to create the illusion of light.

  5. step 05

    Add figures and other details, such as lanterns and signs.

  6. step 06

    Refine the trees, using dark blues and blacks for the branches and foliage.

  7. step 07

    Add the final details and highlights to create depth and interest.

  8. step 08

    Review and adjust the colors and values to achieve the desired mood.

color palette

primary · ultramarine blue · red · yellow ochre

secondary · gray · black · white

Mix ultramarine blue with black and a touch of red to create the dark blues of the night sky and shadows. Use yellow ochre mixed with white for the lantern light and reflections in the water. Mix red with a touch of blue to create the building colors.

techniques

  • ·layering
  • ·color mixing
  • ·atmospheric perspective
  • ·linear perspective
  • ·rendering reflections

common pitfalls

  • →getting the perspective wrong
  • →making the colors too bright
  • →overworking the details
  • →not creating enough contrast
  • →uneven layering

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·water container
  • ·paper towels

optional

  • ·palette knife
  • ·medium retarder
  • ·easel

Use a smooth canvas for best results. Acrylics are recommended for their fast drying time, but oils can also be used.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Xhosa woman

Xhosa woman

George Pemba

Spring Evening at Inokashira Park

Spring Evening at Inokashira Park

Hasui Kawase

Full Moon at Izu-ura, Ibaraki

Full Moon at Izu-ura, Ibaraki

Hasui Kawase

Frosty Morning in Nagaoka

Frosty Morning in Nagaoka

Hasui Kawase

Applying Powder

Applying Powder

Torii Kotondo

Drizzling Rain in Ukimido

Drizzling Rain in Ukimido

Asano Takeji

Woman in Summer Garment

Woman in Summer Garment

Goyo Hashiguchi

Twilight in the Village, Nara

Twilight in the Village, Nara

Asano Takeji